to reinforce a glacier  , 2017 hand-beaded net, calved iceberg site-responsive installation  Breiðamerkurjökull, Vatnajökull, Iceland

to reinforce a glacier, 2017
hand-beaded net, calved iceberg
site-responsive installation

Breiðamerkurjökull, Vatnajökull, Iceland

   to reinforce a glacier  , 2017 (detail) hand-beaded net gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland 8.5 x 8 x 20 ft. as installed   Antenna , New Orleans LA

to reinforce a glacier, 2017
(detail)
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed

Antenna, New Orleans LA

   to reinforce a glacier  , 2017 hand-beaded net, glacial tongue site-responsive installation  Fláajökull, Vatnajökull, Iceland

to reinforce a glacier, 2017
hand-beaded net, glacial tongue
site-responsive installation

Fláajökull, Vatnajökull, Iceland

   anthropogeology (a veil to cover all stones ii)  , 2018 digital archival print 24 x 36 in.  Neahkahnie Viewpoint, Oregon

anthropogeology (a veil to cover all stones ii), 2018
digital archival print
24 x 36 in.

Neahkahnie Viewpoint, Oregon

   anthropogeology (snowplow strata)  , 2018 digital archival print 24 x 36 in.  Crater Lake, Oregon

anthropogeology (snowplow strata), 2018
digital archival print
24 x 36 in.

Crater Lake, Oregon

   2q17  , 2017 digital archival print, face-mounted to acrylic 24 x 36 in.

2q17, 2017
digital archival print, face-mounted to acrylic
24 x 36 in.

   telluric  , 2017 recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet 4 x .25 x 1 in.

telluric, 2017
recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet
4 x .25 x 1 in.

   sea bloom  , 2017 hand-beaded net 9 x 7 x 12 ft. as installed   1708 Gallery , Richmond VA

sea bloom, 2017
hand-beaded net
9 x 7 x 12 ft. as installed

1708 Gallery, Richmond VA

   to reinforce a glacier  , 2017 hand-beaded net gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland 8.5 x 8 x 20 ft. as installed   Antenna , New Orleans LA

to reinforce a glacier, 2017
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed

Antenna, New Orleans LA

   (emergency) (space) blanket for the moon  , 2016 hand-woven bronze and silver mylar thread (satin weave), rundle boulder 22.5 x 51 x 35.5 in.   TRUCK Contemporary Art , Calgary AB

(emergency) (space) blanket for the moon, 2016
hand-woven bronze and silver mylar thread (satin weave), rundle boulder
22.5 x 51 x 35.5 in.

TRUCK Contemporary Art, Calgary AB

Ísland | Movement 1: Skagaströnd
(1:08 excerpt of 12:47 audio track)
performance of transcribed field recording

collaboration between Sarah Nance (pianist) and Burke Jam (field recordist)

Skagaströnd, Iceland

   transference  , 2017 Atlantic sea ice, body heat; site responsive performance and document East Coast Trail, Newfoundland  supported in part by  La Soupée ,  Diagonale , Montréal QC

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland

supported in part by La Soupée, Diagonale, Montréal QC

   transference  , 2017 Atlantic sea ice, body heat; site responsive performance and document East Coast Trail, Newfoundland  supported in part by  La Soupée ,  Diagonale , Montréal QC

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland

supported in part by La Soupée, Diagonale, Montréal QC

   segmented coast  , 2016 salt 13 x 23.5 ft. as installed   Linfield Gallery , Linfield College, McMinnville OR

segmented coast, 2016
salt
13 x 23.5 ft. as installed

Linfield Gallery, Linfield College, McMinnville OR

   the rush of land in my ears  , 2015 (detail— see installation view ) glass microspheres, coal slag 55.5 x 56.5 ft. as installed  Peoria Art Guild, Peoria IL

the rush of land in my ears, 2015
(detail—see installation view)
glass microspheres, coal slag
55.5 x 56.5 ft. as installed

Peoria Art Guild, Peoria IL

   a veil to cover all stones  , 2016 hand-beaded net, sandstone boulder 16.5 x 55.5 x 140 in. as installed   TRUCK Contemporary Art , Calgary AB

a veil to cover all stones, 2016
hand-beaded net, sandstone boulder
16.5 x 55.5 x 140 in. as installed

TRUCK Contemporary Art, Calgary AB

   ís, magnetic midnight  , 2015 (detail) hand-set iridescent a.b. rhinestones, indigo-dyed velvet rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.   SEDIMENT , Richmond VA

ís, magnetic midnight, 2015
(detail)
hand-set iridescent a.b. rhinestones, indigo-dyed velvet
rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.

SEDIMENT, Richmond VA

   lifting, settling of a mountain  , 2013 foil sheet, natural light, water, wind dimensions variable  Spákonufellshöfði, Skagaströnd, Iceland

lifting, settling of a mountain, 2013
foil sheet, natural light, water, wind
dimensions variable

Spákonufellshöfði, Skagaströnd, Iceland

   marking time in light  , 2014 reflective fabric tape, found stones, natural light 8.5 x 1.5 x 1494 in. image credit | Ian Clark  Alvord Desert, Eastern Oregon

marking time in light, 2014
reflective fabric tape, found stones, natural light
8.5 x 1.5 x 1494 in.
image credit | Ian Clark

Alvord Desert, Eastern Oregon

   a line, the infinite  , 2014 sand grains, natural light 1 in.

a line, the infinite, 2014
sand grains, natural light
1 in.

   reverse entropy  , 2013-ongoing black sand, sorted dimensions growing

reverse entropy, 2013-ongoing
black sand, sorted
dimensions growing

   faced  , 2013 recovered stones, foil tape, glass microspheres, natural light dimensions variable

faced, 2013
recovered stones, foil tape, glass microspheres, natural light
dimensions variable

   buoy for those between the spray and sky  , 2013 mirrors, glass microspheres, concrete, spray paint, natural light 4.5 x 47.5 x 47.5 in.  Skagaströnd, Iceland

buoy for those between the spray and sky, 2013
mirrors, glass microspheres, concrete, spray paint, natural light
4.5 x 47.5 x 47.5 in.

Skagaströnd, Iceland

   conditional presences  , 2013 silk string, glass microspheres, coal slag, light 9 x 13.5 x 16 ft.   Disjecta , Portland OR

conditional presences, 2013
silk string, glass microspheres, coal slag, light
9 x 13.5 x 16 ft.

Disjecta, Portland OR

   a desert of pure feeling ii  , 2012 silk string, evaporated saltwater, natural light 9.5 x 15 x 13 ft.   Eugene Contemporary Art , Eugene OR

a desert of pure feeling ii, 2012
silk string, evaporated saltwater, natural light
9.5 x 15 x 13 ft.

Eugene Contemporary Art, Eugene OR

   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

   Impossible Models  , 2016 exhibition essay Brian Wennerstrom   TRUCK Contemporary Art , Calgary AB

Impossible Models, 2016
exhibition essay
Brian Wennerstrom

TRUCK Contemporary Art, Calgary AB

   to reinforce a glacier  , 2017 hand-beaded net, calved iceberg site-responsive installation  Breiðamerkurjökull, Vatnajökull, Iceland
   to reinforce a glacier  , 2017 (detail) hand-beaded net gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland 8.5 x 8 x 20 ft. as installed   Antenna , New Orleans LA
   to reinforce a glacier  , 2017 hand-beaded net, glacial tongue site-responsive installation  Fláajökull, Vatnajökull, Iceland
   anthropogeology (a veil to cover all stones ii)  , 2018 digital archival print 24 x 36 in.  Neahkahnie Viewpoint, Oregon
   anthropogeology (snowplow strata)  , 2018 digital archival print 24 x 36 in.  Crater Lake, Oregon
   2q17  , 2017 digital archival print, face-mounted to acrylic 24 x 36 in.
   telluric  , 2017 recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet 4 x .25 x 1 in.
   sea bloom  , 2017 hand-beaded net 9 x 7 x 12 ft. as installed   1708 Gallery , Richmond VA
   to reinforce a glacier  , 2017 hand-beaded net gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland 8.5 x 8 x 20 ft. as installed   Antenna , New Orleans LA
   (emergency) (space) blanket for the moon  , 2016 hand-woven bronze and silver mylar thread (satin weave), rundle boulder 22.5 x 51 x 35.5 in.   TRUCK Contemporary Art , Calgary AB
   Ísland | Movement 1: Skagaströnd   (1:08 excerpt of 12:47 audio track) performance of transcribed field recording  collaboration between Sarah Nance (pianist) and Burke Jam (field recordist)  Skagaströnd, Iceland
   transference  , 2017 Atlantic sea ice, body heat; site responsive performance and document East Coast Trail, Newfoundland  supported in part by  La Soupée ,  Diagonale , Montréal QC
   transference  , 2017 Atlantic sea ice, body heat; site responsive performance and document East Coast Trail, Newfoundland  supported in part by  La Soupée ,  Diagonale , Montréal QC
   segmented coast  , 2016 salt 13 x 23.5 ft. as installed   Linfield Gallery , Linfield College, McMinnville OR
   the rush of land in my ears  , 2015 (detail— see installation view ) glass microspheres, coal slag 55.5 x 56.5 ft. as installed  Peoria Art Guild, Peoria IL
   a veil to cover all stones  , 2016 hand-beaded net, sandstone boulder 16.5 x 55.5 x 140 in. as installed   TRUCK Contemporary Art , Calgary AB
   ís, magnetic midnight  , 2015 (detail) hand-set iridescent a.b. rhinestones, indigo-dyed velvet rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.   SEDIMENT , Richmond VA
   lifting, settling of a mountain  , 2013 foil sheet, natural light, water, wind dimensions variable  Spákonufellshöfði, Skagaströnd, Iceland
   marking time in light  , 2014 reflective fabric tape, found stones, natural light 8.5 x 1.5 x 1494 in. image credit | Ian Clark  Alvord Desert, Eastern Oregon
   a line, the infinite  , 2014 sand grains, natural light 1 in.
   reverse entropy  , 2013-ongoing black sand, sorted dimensions growing
   faced  , 2013 recovered stones, foil tape, glass microspheres, natural light dimensions variable
   buoy for those between the spray and sky  , 2013 mirrors, glass microspheres, concrete, spray paint, natural light 4.5 x 47.5 x 47.5 in.  Skagaströnd, Iceland
   conditional presences  , 2013 silk string, glass microspheres, coal slag, light 9 x 13.5 x 16 ft.   Disjecta , Portland OR
   a desert of pure feeling ii  , 2012 silk string, evaporated saltwater, natural light 9.5 x 15 x 13 ft.   Eugene Contemporary Art , Eugene OR
   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA
   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA
   exo¨geology..  , 2017 artist book essay by Anne-Sophie Miclo  published by  Antenna , New Orleans LA
   Impossible Models  , 2016 exhibition essay Brian Wennerstrom   TRUCK Contemporary Art , Calgary AB

to reinforce a glacier, 2017
hand-beaded net, calved iceberg
site-responsive installation

Breiðamerkurjökull, Vatnajökull, Iceland

to reinforce a glacier, 2017
(detail)
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed

Antenna, New Orleans LA

to reinforce a glacier, 2017
hand-beaded net, glacial tongue
site-responsive installation

Fláajökull, Vatnajökull, Iceland

anthropogeology (a veil to cover all stones ii), 2018
digital archival print
24 x 36 in.

Neahkahnie Viewpoint, Oregon

anthropogeology (snowplow strata), 2018
digital archival print
24 x 36 in.

Crater Lake, Oregon

2q17, 2017
digital archival print, face-mounted to acrylic
24 x 36 in.

telluric, 2017
recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet
4 x .25 x 1 in.

sea bloom, 2017
hand-beaded net
9 x 7 x 12 ft. as installed

1708 Gallery, Richmond VA

to reinforce a glacier, 2017
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed

Antenna, New Orleans LA

(emergency) (space) blanket for the moon, 2016
hand-woven bronze and silver mylar thread (satin weave), rundle boulder
22.5 x 51 x 35.5 in.

TRUCK Contemporary Art, Calgary AB

Ísland | Movement 1: Skagaströnd
(1:08 excerpt of 12:47 audio track)
performance of transcribed field recording

collaboration between Sarah Nance (pianist) and Burke Jam (field recordist)

Skagaströnd, Iceland

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland

supported in part by La Soupée, Diagonale, Montréal QC

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland

supported in part by La Soupée, Diagonale, Montréal QC

segmented coast, 2016
salt
13 x 23.5 ft. as installed

Linfield Gallery, Linfield College, McMinnville OR

the rush of land in my ears, 2015
(detail—see installation view)
glass microspheres, coal slag
55.5 x 56.5 ft. as installed

Peoria Art Guild, Peoria IL

a veil to cover all stones, 2016
hand-beaded net, sandstone boulder
16.5 x 55.5 x 140 in. as installed

TRUCK Contemporary Art, Calgary AB

ís, magnetic midnight, 2015
(detail)
hand-set iridescent a.b. rhinestones, indigo-dyed velvet
rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.

SEDIMENT, Richmond VA

lifting, settling of a mountain, 2013
foil sheet, natural light, water, wind
dimensions variable

Spákonufellshöfði, Skagaströnd, Iceland

marking time in light, 2014
reflective fabric tape, found stones, natural light
8.5 x 1.5 x 1494 in.
image credit | Ian Clark

Alvord Desert, Eastern Oregon

a line, the infinite, 2014
sand grains, natural light
1 in.

reverse entropy, 2013-ongoing
black sand, sorted
dimensions growing

faced, 2013
recovered stones, foil tape, glass microspheres, natural light
dimensions variable

buoy for those between the spray and sky, 2013
mirrors, glass microspheres, concrete, spray paint, natural light
4.5 x 47.5 x 47.5 in.

Skagaströnd, Iceland

conditional presences, 2013
silk string, glass microspheres, coal slag, light
9 x 13.5 x 16 ft.

Disjecta, Portland OR

a desert of pure feeling ii, 2012
silk string, evaporated saltwater, natural light
9.5 x 15 x 13 ft.

Eugene Contemporary Art, Eugene OR

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo

published by Antenna, New Orleans LA

Impossible Models, 2016
exhibition essay
Brian Wennerstrom

TRUCK Contemporary Art, Calgary AB

show thumbnails