
to reinforce a glacier, 2017
hand-beaded net, calved iceberg
site-responsive installation
Breiðamerkurjökull, Vatnajökull, Iceland

to reinforce a glacier, 2017
(detail)
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed
Antenna, New Orleans LA

to reinforce a glacier, 2017
hand-beaded net, glacial tongue
site-responsive installation
Fláajökull, Vatnajökull, Iceland

anthropogeology (a veil to cover all stones ii), 2018
digital archival print
24 x 36 in.
Neahkahnie Viewpoint, Oregon

anthropogeology (snowplow strata), 2018
digital archival print
24 x 36 in.
Crater Lake, Oregon

2q17, 2017
digital archival print, face-mounted to acrylic
24 x 36 in.

telluric, 2017
recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet
4 x .25 x 1 in.

sea bloom, 2017
hand-beaded net
9 x 7 x 12 ft. as installed
1708 Gallery, Richmond VA

to reinforce a glacier, 2017
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed
Antenna, New Orleans LA

(emergency) (space) blanket for the moon, 2016
hand-woven bronze and silver mylar thread (satin weave), rundle boulder
22.5 x 51 x 35.5 in.
TRUCK Contemporary Art, Calgary AB

Ísland | Movement 1: Skagaströnd
(1:08 excerpt of 12:47 audio track)
performance of transcribed field recording
collaboration between Sarah Nance (pianist) and Burke Jam (field recordist)
Skagaströnd, Iceland

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland
supported in part by La Soupée, Diagonale, Montréal QC

transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland
supported in part by La Soupée, Diagonale, Montréal QC

segmented coast, 2016
salt
13 x 23.5 ft. as installed
Linfield Gallery, Linfield College, McMinnville OR

the rush of land in my ears, 2015
(detail—see installation view)
glass microspheres, coal slag
55.5 x 56.5 ft. as installed
Peoria Art Guild, Peoria IL

a veil to cover all stones, 2016
hand-beaded net, sandstone boulder
16.5 x 55.5 x 140 in. as installed
TRUCK Contemporary Art, Calgary AB

ís, magnetic midnight, 2015
(detail)
hand-set iridescent a.b. rhinestones, indigo-dyed velvet
rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.
SEDIMENT, Richmond VA

lifting, settling of a mountain, 2013
foil sheet, natural light, water, wind
dimensions variable
Spákonufellshöfði, Skagaströnd, Iceland

marking time in light, 2014
reflective fabric tape, found stones, natural light
8.5 x 1.5 x 1494 in.
image credit | Ian Clark
Alvord Desert, Eastern Oregon

a line, the infinite, 2014
sand grains, natural light
1 in.

reverse entropy, 2013-ongoing
black sand, sorted
dimensions growing

faced, 2013
recovered stones, foil tape, glass microspheres, natural light
dimensions variable

buoy for those between the spray and sky, 2013
mirrors, glass microspheres, concrete, spray paint, natural light
4.5 x 47.5 x 47.5 in.
Skagaströnd, Iceland

conditional presences, 2013
silk string, glass microspheres, coal slag, light
9 x 13.5 x 16 ft.
Disjecta, Portland OR

a desert of pure feeling ii, 2012
silk string, evaporated saltwater, natural light
9.5 x 15 x 13 ft.
Eugene Contemporary Art, Eugene OR

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA

exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA

Impossible Models, 2016
exhibition essay
Brian Wennerstrom
TRUCK Contemporary Art, Calgary AB





























to reinforce a glacier, 2017
hand-beaded net, calved iceberg
site-responsive installation
Breiðamerkurjökull, Vatnajökull, Iceland
to reinforce a glacier, 2017
(detail)
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed
Antenna, New Orleans LA
to reinforce a glacier, 2017
hand-beaded net, glacial tongue
site-responsive installation
Fláajökull, Vatnajökull, Iceland
anthropogeology (a veil to cover all stones ii), 2018
digital archival print
24 x 36 in.
Neahkahnie Viewpoint, Oregon
anthropogeology (snowplow strata), 2018
digital archival print
24 x 36 in.
Crater Lake, Oregon
2q17, 2017
digital archival print, face-mounted to acrylic
24 x 36 in.
telluric, 2017
recovered micrometeorites ≠ anthropogenic iron spherules, neodymium magnet
4 x .25 x 1 in.
sea bloom, 2017
hand-beaded net
9 x 7 x 12 ft. as installed
1708 Gallery, Richmond VA
to reinforce a glacier, 2017
hand-beaded net
gallery installation of site-responsive work with Fláajökull glacial tongue and Breiðamerkurjökull iceberg, Vatnajökull, Iceland
8.5 x 8 x 20 ft. as installed
Antenna, New Orleans LA
(emergency) (space) blanket for the moon, 2016
hand-woven bronze and silver mylar thread (satin weave), rundle boulder
22.5 x 51 x 35.5 in.
TRUCK Contemporary Art, Calgary AB
Ísland | Movement 1: Skagaströnd
(1:08 excerpt of 12:47 audio track)
performance of transcribed field recording
collaboration between Sarah Nance (pianist) and Burke Jam (field recordist)
Skagaströnd, Iceland
transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland
supported in part by La Soupée, Diagonale, Montréal QC
transference, 2017
Atlantic sea ice, body heat;
site responsive performance and document
East Coast Trail, Newfoundland
supported in part by La Soupée, Diagonale, Montréal QC
segmented coast, 2016
salt
13 x 23.5 ft. as installed
Linfield Gallery, Linfield College, McMinnville OR
the rush of land in my ears, 2015
(detail—see installation view)
glass microspheres, coal slag
55.5 x 56.5 ft. as installed
Peoria Art Guild, Peoria IL
a veil to cover all stones, 2016
hand-beaded net, sandstone boulder
16.5 x 55.5 x 140 in. as installed
TRUCK Contemporary Art, Calgary AB
ís, magnetic midnight, 2015
(detail)
hand-set iridescent a.b. rhinestones, indigo-dyed velvet
rhinestones 3 x 38 x 47 in.; velvet 36 x 32 in.
SEDIMENT, Richmond VA
lifting, settling of a mountain, 2013
foil sheet, natural light, water, wind
dimensions variable
Spákonufellshöfði, Skagaströnd, Iceland
marking time in light, 2014
reflective fabric tape, found stones, natural light
8.5 x 1.5 x 1494 in.
image credit | Ian Clark
Alvord Desert, Eastern Oregon
a line, the infinite, 2014
sand grains, natural light
1 in.
reverse entropy, 2013-ongoing
black sand, sorted
dimensions growing
faced, 2013
recovered stones, foil tape, glass microspheres, natural light
dimensions variable
buoy for those between the spray and sky, 2013
mirrors, glass microspheres, concrete, spray paint, natural light
4.5 x 47.5 x 47.5 in.
Skagaströnd, Iceland
conditional presences, 2013
silk string, glass microspheres, coal slag, light
9 x 13.5 x 16 ft.
Disjecta, Portland OR
a desert of pure feeling ii, 2012
silk string, evaporated saltwater, natural light
9.5 x 15 x 13 ft.
Eugene Contemporary Art, Eugene OR
exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA
exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA
exo¨geology.., 2017
artist book
essay by Anne-Sophie Miclo
published by Antenna, New Orleans LA
Impossible Models, 2016
exhibition essay
Brian Wennerstrom
TRUCK Contemporary Art, Calgary AB